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Avenue61 is a leading indie music site that specialises in album and gig reviews, breaking new bands, publicising events, and exclusive interviews with the leading cutting edge acts in the alternative music scene. Avenue61 covers a wide range of artists – some you would have heard of, some you won’t. Artists the site has reviewed recently include the Fleet Foxes, MGMT, Noisettes and Ladyhawke. The site is updated regularly so come back to catch up the latest news and reviews from the bleeding edge of the alternative music scene.

Tawiah
09/03/2010
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Tawiah’s may not be a name that you’re initially familiar with, but for those who have followed the live meanderings of  the likes of Mark Ronson & Corrine Bailey Rae, her face & more importantly her voice will be more familiar than her name initially lets on. Tawiah is the latest Soul prodigy...MORE>>

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ANIMAL COLLECTIVE
JON BERRY
Animal Collective Grass

Yet to understand the gravitas Animal Collective yield, we must exhaustively examine the back-catalogue to find the song that epitomizes the Animal Collective ‘sound’. Such an accolade must be presented to Grass, from 2005’s Feels.

 

An awkwardly infectious Psyche-pop operation, Grass itself sounds, in equal parts, like ‘Mr. Blue Sky’ by E.L.O, the entire Bjork back-catalogue & an Alan Lomax field recording, and whilst utilising the both analogue & digital synths along side more conventional instruments, Animal Collective never fail to sound anything other than fresh and organic, almost embryonic in some cases. Grass, being the most obvious example of the band’s tendency toward antagonistic dynamics, sounds hurried and anxious, the constant battle between cacophony and melody never truly Passive Voice (consider revising).

 

Grass warrants between half a dozen and a score’s worth of listens before the dense layering of electronic noise starts to extrude itself, leading way to moments of unmistakable beauty and undulating vigour, as opposed to the abstract indulgence conveyed upon the first few listens.

 

Despite the charging nature of Grass, Animal Collective delicately weave themselves between intimacy & animosity, Avey’s precariously uncertain warbling parenthesized by his affection for guttural screaming. This constant interplay becomes extremely hypnotic, absorbing even the most jaded listener into the oddly colourful, richly textured, Animal Collective world.

 

Animal Collective’s most interesting facet is in their recognition, yet obvious subversion of certain Pop fundamentals. Despite choosing a route often less travelled my many contemporaries, Animal Collective remain aware of the importance of ‘humability’, while not relying upon it. Grass is a perfect example of the way in which Animal Collective can create a song that burrows itself within your psyche and have it remain there indefinitely, despite the often-undecipherable lyrics.

 

Animal collective intrigue me. It seems the more aware of their own success they become, the further into the wilderness they dare to tread. The irony is; this only seems to coerce greater interest within the public forum. So simply sit back, and wait & see.

 

Animal Collective Grass. Animal Collective are a peculiar act. An oddity. A sensory sideshow in a world of increasing musical banality. Despite having nick-names reminiscent of a group of children’s show super heroes, (Avey Tare, Deakin, Geologist & Panda Bear respectively), Animal Collective have been creating mature Psyche-folk since the turn of the millennium, and while enchanting Club and Festival-goers alike, have constantly

 

 

 

 

 

 

 

been just avant-garde enough to allude any major commercial success. However, 2009 seems to be something of an oddity also, seeing Animal Collective gain a top 20 album on both sides of the Atlantic following the release of Merriweather Post Pavilion.